Isabella Products’ acquisition of StarWalk Kids Media required rebranding throughout the newly created Fable Learning: app icon, logos and catalog.
A fundraiser piece for Advance NYC on behalf of the Labyrinth Theater Company in Greenwich Village.
Brian Cullen commissioned a jacket illustration for his latest book. He specifically wanted the five hot dog eating contestants at the end of the table to have eight franks each, leaving the other 95% of the world’s population to share the remaining assets. He also felt it was important not to capitalize any of the words in the title and to use the numeral instead of spelling out the word “five”.
Keeping an optimistic perspective we see “the little guys” disassembling the big “5” on the cover while creating a utopian biosphere on the back jacket. I like that! Brian Cullen picks up where fellow Irishman J.Swift left off—keep it up Brian!
For The Last Throes first album cover, Neil requested a Pettibonesque A/B of a hammer and squashed fly. Recalling Black Flag’s bright single-color jackets I set my illustration against a bright Pepto pink. Using conservative type on the massive 1′ x 1′ real estate in the spartan SST tradition really let that pink sing.
Fans of Teen YouTube sensations Hayes Grier, Nash Grier and Cameron Dallas now have a new way to enjoy their favorite stars beyond the Vine clip. Simon & Schuster has acquired the rights to the Social Celeb Books set. These are full-length, authorized fan-fiction novels centering around the boys, and feature bonus exclusive photo content. Produced and designed by yours truly.
A beloved children’s classic is revived!
With the diligence and generosity of Linda Gramatky Smith we were able to acquire source materials for the famous Little Toot series. Hardie Gramatky’s earlier book interiors were printed with a mix of color and BW. I was asked to color the illustrations in keeping with Hardie’s style, as well as giving the books the unified sense of a series. I was lucky to have the aid of several gifted illustrators, including the brilliant Kalin Dimitrov, who took time away from a busy art directorship to help me make the deadline.
Here’s a little before/after of some of the images: